My Autobiography by Guy Martin

This book has convinced me that not only should you never meet you heros, but you shouldn't read their autobiographies either. If you like Guy Martin and want to carry on liking him, look away now.



I'm not a fan of motorsports so I first found Guy on television. "Come and watch this," I said to my husband, "It's like Wolverine was a Northerner building a boat.". We marvelled at his sideburns, and occasionally at his engineering and once at nearly all of him when a steam-powered shower turned evil and he had to jump out of it in a hurry. Since then I've enjoyed How Britain Worked (a wonderfully comforting programme as every episode was the same; Guy would join some bunch of brown-coated old boys as they restored old bits of stuff and win them over with his no-nonsense northern tea drinking and ability to "Shave a couple of thou off that, lad". The best bit would always be Guy turning to camera demonstrating a nice interference fit and saying, "Look at that, eh? Trick as.", or some weeks, "It were proper graft though, in them days, weren't it?") and two series of Speed (a much less cosy programmme which frequently gave the impression that it might end with the words, "This programme is dedicated to the late Guy Martin").

I guess what I was expecting from this book was some exciting bits about high-speed crashes and also the inevitable dull bits about boring out cylinders and valve timing for the hardcore. In fact the book delivers both those things, but it also shows Guy in a much less lovable light than I was expecting. By the end I felt I was looking at a man who had just done whatever he felt like at every turn and was then left wondering why everyone was so pissed off at him.

And there are the various daft things he does which just you leave you shouting at him. Like the way that the man who is happy to try to drive round the Isle of Man at over 200 mph seems to end up cheating on his girlfriend cos he can't quite get together the guts to break up with her first. Or the way that when his Dad (who is every bit as uncommunicative as Guy himself) confiscates the works van after a series of driving offenses, Guy says something along the lines of, "I figured it was his way of telling me I was sacked from the family business," and I think, "Why didn't you just ring him up and ask him, you big eejit?". And then there was the incident where Guy bypassed the TT podium and went to the tea van instead, which I had wrongly attributed to his being an unassuming lad who liked his tea. Turns out he was having a big prima donna strop.

Despite all this, I still admire Guy (well, can I ride a motorbike at 200mph? Can I bugger. I'm on the breaks of my pushbike just going down the hill from my house to the main road) but I've stopped slightly fancying him.

Here's hoping he finally gets that TT win...

Hons and Rebels by Jessica Mitford

I sort of love the Mitfords. If ever you catch yourself believing that your own family are the craziest, most dysfunctional bunch ever to escape out of an ITV sit-com and into reality, you can look at the Mitfords and reflect that your lot are nowhere near. Are any of your sisters Communists or Fascists? Have any of them actually been imprisioned for being a danger to their country? Have they had a crush on Hitler? Or eschewed the company of humans in favour of chickens? Do your parents believe that educating girls will give them fat ankles and leave them unmarriageable?

In case anyone ever reads this and they are not familiar with the British aristocracy in the inter war period, I have prepared a brief rundown of the Mitfords. (I was going to make Mitford Top Trumps but I ran out time, patience and artistic ability.)

Know Your Mitfords

Muv: a.k.a Lady Redesdale. Posh tweedy lady who won't let her daughters mingle with the garstly bourgeoisie. In her book this is pretty much everyone so Mitfords don't get out much.

Farv: Appears in Nancy's novels as "Mad Uncle Matthew" who is always shouting, "You filthy sewer!" at effete young men and threatening to have them horsewhipped. Likes hunting. Dislikes everything else.

Nancy: The novelist. Wrote Love in a Cold Climate  and The Pursuit of Love.

Diana: Fascist. Marries Oswold Mosley of the British Union of Fascits and spends WW2 interred. Completely Barking.

Pam: A boring one.

Tom: a.k.a Tudemmy. The Boy. Less loopy than the girls. Possibly because he was allowed to go to school and meet people outside his own family.

Unity: a.k.a. Baud. Fascist. Has a crush on Hitler. Spends her time in Germany hanging out with top Nazis. Tries to kill herself by shooting herself in the head when rejected by the Fuhrer. Gives herself a horrific brain injury instead and lingers on for ages.

Jessica: a.k.a. Decca. Communist. Runs away to join The International Brigade in the Spanish Civil War.

Deborah: a.k.a Debo. Mocked by her older sisters for being a bit thick because all she wanted to do was marry a Duke and raise chickens but compared to being a Communist or a Fascist, that actually looks pretty sensible.

So This book is the autobiography of The Communist One. Jessica is also one of the youngest and while Nancy is being a Bright Young Thing and Diana is bringing shame on the family by divorcing*, Decca and Boud are stomping about the schoolroom being rather ineffectually home schooled by their mother and giving each other Chinese burns. For my money, the most normal thing in Decca's childhood is the weird games she plays with her siblings. In fact I think that Hure, Hare, Hure, Commencement (of unbearable pain) sounds like exactly the kind of game that my sister and I could really have got into.

The two sisters grow up without any other companions or anything to occupy themselves save reading and winding each other up. Jessica reads the pacifist literature spawned by the first world war and through that finds out about Socialism, Unity becomes a fully paid up member of the British Union of Fascists and Jessica moves further left into Communism, apparently to annoy her sister as much as anything else. Was this a time of extreme political views when all of politics was a lunatic fringe of some kind? Or is it just these girls in their insular, overheated world who have gone a bit odd in the reasoning department?

Long years seem to be spent grumpily hanging around the family home waiting for life to start. Jessica looks forward to "coming out"** as a signifier of adulthood but rightly predicts she won't meet any like minded young men in her season of balls. In this period of solitary moodiness she starts reading about the exploits of a distant relation in the press. Esmond Romilly has bought shame on his family by refusing to join the OTC, claiming to be a pacifist, escaping from Wellington public school and founding a Communist Bookshop. He sounds like just the sort of chap Jessica would like to meet, but unfortunately, he goes to fight the fascists in Spain*** and the mooning continues.

Then one day she finds out he's back in England and secures a weekend invitation to the same country house where he is convalescing. The pair seem to hit it off straight away and Esmond readily agrees to help her run away to the war in Spain.

I'm afraid I can't really take to Esmond Romilly. If he were from any other background, he'd be described as a wastrel and good-for-nothing. I think its his gambling addiction, plus the fact that he clearly fancies himself as a scammer and con artist (stealing from friends and family is apparently OK when you're a Communist). Despite this he falls for scam after scam himself, repeated losing all the money Jessica has earned on card games and bent horse races. Fortunately, being a Communist, she doesn't really mind about the money.  In fact Jessica doesn't mind about any damn fool thing that Esmond does, he is a genius in her eyes and everything they do together is just one big romantic adventure. 

Together they go to Spain, fail to report on the war, get married, come back to London and hang out with other Communists, have a baby girl who dies of measles (I got very upset for them at this point. Man, I'm glad to live in the century that I do!) and go travelling across America while they wait for the war to break out.

According to Jessica, by 1938 it was obvious that war was coming but not at all obvious whose side Britain would be on. This is a million miles from the plucky-Britain-standing-alone-against-Hitler line that we have all been spun. While I'm not at all sure of Jessica as a reliable narrator of historical facts, I still recall a number of high-profile Brits (including the King) who were favourably impressed by the Nazis. 

The book ends with the outbreak of war and Esmond joining the Canadian RAF. I looked him up and he died soon after at only 23. He never had the chance to mend his ways and stop being an idiot. I guess if I was assessed on only the first 23 years of life, I'd look a bit bloody clueless too. Jessica goes on to live to a ripe old age, but that's in other books.

Overall I enjoyed the growing up with the crazy Mitfords parts of the book but found the Romily years hard going. Jessica writes well enough that I'd look for her collected letters to her sisters, but I'm not sure I can handle any more memoir. She's at her best pointing out the ridiculous behaviour of her family and herself. When it comes to everything else she seems very sure of her opinions but totally unable to marshal anything resembling an argument in support of them. Or perhaps she assumes that her readers want celebrity gossip more than they want politics or history but I could have coped with more Communist ideology and less guff about lovely people we met in the Hamptons. That's probably just me.

*Yes, I'm afraid that for the British Aristocracy in this period divorce was WAY more embarrassing than being a fascist. 

**As a debutant, not an LGBT.

***No, I don't know how you segue from pacifism to joining in foreign wars either.

Yes Man by Danny Wallace

In the run-up to Christmas this year, I had a big work deadline causing me stress. This was all I could think about until after it had passed. Afterwards I looked around and tried to organise myself a pre-Christmas night out. Unfortunately, everybody I tried had been booked weeks ago and I was forced to continue my run of staying in.

To make matters slightly worse, I asked my husband to recommend a funny book to cheer me up and he suggested  Yes Man by Danny Wallace.

The gist of the thing is that Danny has also got into a rut of not going out which he decides to break by saying "yes" to things he would normally say no to. But he has friends who ring him up and ask him. He doesn't have to play phone tag with people for days just to remind them he exists. His friends just ring up and all he has to do is say yes. The lucky c*nt.

Anyway, before long Danny is allegedly affirming his way to the good life, saying yes at work to a TV presenting job in which he tries to wind up a Buddhist monk by poking him.

But it isn't all plain sailing. There is the time he agrees to come along with his ex and her new boyfriend on a date, donating money to any charity which asks him, spending a lot of money on travel because an advert happened to be phrased as a question and meeting up for polite conversation with a stockbroker obsessed with Sarah Brightman.

There is also the ever-so-neat plot about the girl he loves who has returned to Australia. Will Danny's resolution to say yes to everything make him brave enough to move out after her and give it a go? (Clue: of course it bloody will). Call me cynical, but things like this make me doubt that half the events described ever actually took place (think for a moment about how boring, episodic and unstructured an account of anyone's real life would be). So bearing in mind that we've agreed between us that Mr Wallace needn't be strictly truthful, that we'll allow him some license in order to better entertain us, why isn't the ****ing thing funnier?

I suppose the book worked for me in that I moved from feeling properly sorry for myself to just being a run-of-the-mill grumpy old git.