Anton is a 30-something programmer (I like him already!) and lowly officer of the Night Watch. He is quite at home running queries on the Big Database of Magic Stuff and keeping the servers of the Light up. He's definitely not at home walking the corridors of the Metro with a clip full of silver bullets looking for a rogue vampire. Unfortunately, while the Dark is over-subscribed and probably has a waiting list to join, the Light is always short-staffed. Anton's problems don't end with the Dark; his own boss, the staggeringly Machievellian Boris Ignatievich, is quite capable of sacrificing pawns from the Light in the cause of a larger strategem against the Dark. And then there's Anton's new girlfriend who is turning out to have the makings of a top-notch sorcercess. Pretty soon, Anton will be the intellectual equivalent of tumble-drier-fluff to her and that makes it kind of hard to feel pleased for your partner. The book is essentially three stories centred on Anton in which he has to try and stay alive, not break the Treaty and avoid causing evil in increasingly difficult circumstances.
One of the things that really works for me in this book is the setting. Maybe I absorbed too much Yankee propaganda during the Cold War, but I find Russia intrinsically sinister and have no problem believing that Moscow might be full of vampires and werewolves. Maybe it's the endless snow and greyness, maybe it's the terrifying architecture (I've included a picture of one of the “Stalin Buildings”, scariest buildings in a scary, scary city), maybe it's the fact that the population appear to have recently voted to hand their country over wholesale to the KGB. When I think of Russia I think of Stalin's purges, the 3 am knock at the door from the secret police and (latterly) of a country where the politicians and the gangsters are impossible to tell apart. Think of all the “psychogeography” bollocks that has been written about London and imagine doing the same thing with a city which is equally old, but also has a rich history of seige, torture and tramps freezing to death. I visited Moscow in 1993 as part of a school history trip and rode on the Moscow Metro and as Mr Snipes says, “There are worse things out there than vampires”.
For what it's worth, here are my pretentious theories about what the deeper meaning of the book might be: It seems to me that the theme of the book is compromise and appeasement which leaves everyone tainted, but avoids open warfare. Perhaps this is meant to represent the way the USSR has been divvied up between robber baron business types the elected authorities. The difference between Light and Dark is all in their attitude to normal people. The Light is protective (communism?) while the Dark magicians seek to exploit the ordinary folk for person gain (capitalism?). Both sides are capable of murderous or duplicitous actions and are locked in stalemate. So perhaps the book is not a metaphor for modern Russia and it's really the Cold War all over again. Or maybe it's just a Russian fantasy novel...
Whatever, The Night Watch might not be literature, but it is an absolutely cracking read. I can give no higher praise for fiction than this: this book gave me nightmares. It fired up my imagination such that I spent the whole night trying to evade Dark magicians on the Moscow Metro.
I now fancy reading more sinister soviet goings on in the form of “The Master and Marguerita”. Hope it has Roger Delgado in it. He was my favourite Master.
Many thanks to L for lending me this book – sorry about the page I got marmalade on. Couldn’t put it down for breakfast!
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